His artworks, Fil Rouge and Mon œil, question the purpose of art and the way the contemporary art system in Senegal capitalises on the artist’s status. They are presented without descriptions, encouraging viewers to form their own interpretations.
“I am interested in the social mechanisms that exist in my country, the aesthetics and imaginations that emerge from our history, but also the traditional cosmogonies that our societies inherit.” Cheikha Sigil
His studio serves as a space for textile creation, meeting and exchanging ideas, as well as exploring hybrid practices such as installations and happenings.